Steibelt, Daniel (1764-1823)
heute: 14
gestern: 106
diese Woche: 120
letzte Woche: 671
dieser Monat: 1459
letzter Monat: 702
Total: 32834

United States 68%United StatesItaly 1.6%ItalyRomania 0.7%RomaniaArmenia 0.4%ArmeniaIreland 0.3%IrelandMexico 0.2%Mexico
Germany 8.9%GermanyUnited Kingdom 1.6%United KingdomSpain 0.7%SpainBrazil 0.4%BrazilPortugal 0.3%PortugalArgentina 0.2%Argentina
Netherlands 2.2%NetherlandsAustria 1.5%AustriaSwitzerland 0.7%SwitzerlandSlovakia 0.4%SlovakiaTaiwan 0.3%TaiwanTurkey 0.1%Turkey
France 2.1%FranceRepublic Of Korea 0.9%Republic Of KoreaBelgium 0.5%BelgiumRussian Federation 0.3%Russian FederationAustralia 0.2%AustraliaSweden 0.1%Sweden
China 1.8%ChinaJapan 0.9%JapanCanada 0.5%CanadaPoland 0.3%PolandHong Kong 0.2%Hong KongCzech Republic 0.1%Czech Republic
recent visitor statistic


Star InactiveStar InactiveStar InactiveStar InactiveStar Inactive

Grande Sonate pour le piano-forté op.45 Eb-Dur

im Klang eines Schantz Pianoforte

(zur Paralellinterpretation im Klang eines modernen Bechstein)

erst logo


0 # Professor, Department of MusicKathleen Solose 2018-07-30 18:54
great to hear this literature, even if it is somewhat wooden.
I’m curious about the techniques you are using.
I imagine you are translating scores directly to the sampled registers, and then tweaking the timing (in the case of the Adagio] in some places. In this age of difficulty to find venues and funding for live performance, it is a useful service that you are doing! Very interesting project.

Answer.S.F.: Following the idea of the historic informed performance this recordings uses a digital reconstruction of a Schantz pianoforte from the time in which this music was composed. You can also listen another recording of the piece in the sound of a modern Bechstein-Grandpiano on this site.
Add comment

Security code